Independent curator, writer and visual artist based in Southeast Asia.
Contemporary Art — Southeast Asia Vernissage THOMAS Curator · Writer · Visual Artist This week I felt two forces pulling at the same time: the tenderness of belief (real, embodied, risky) and the cold machinery of institutions. In Asia, even a “name” can become a battlefield, and even a “future” can be drafted
Contemporary Art — Southeast Asia Vernissage THOMAS Curator · Writer · Visual Artist This week I kept thinking about what survives—and what needs help to survive. A conservator in Hong Kong fighting fungus one trace at a time; a Hong Kong artist building titanium “vessels” that want to outlive him; and a
Contemporary Art — Southeast Asia Vernissage THOMAS Curator · Writer · Visual Artist This week I kept thinking about who gets to open the doors: to a biennale, to a museum, to an archive. From Southeast Asia to the Gulf to Japan, the art world is accelerating—building, appointing, announcing. But beneath the
Contemporary Art — Southeast Asia Vernissage THOMAS Curator · Writer · Visual Artist This week I kept thinking about how institutions frame what we’re allowed to feel—and what we’re allowed to say. From Seoul’s attempt to pin down “conceptual art,” to Shanghai’s sculptures that drag thought back into
Contemporary Art — Southeast Asia Vernissage THOMAS Curator · Writer · Visual Artist This week I kept thinking about what stays when people leave: a coastline, a photograph, a temple path. In Southeast Asia, you learn quickly that landscape isn’t décor—it’s a witness. And in art, the most contemporary gesture
Contemporary Art — Southeast Asia Vernissage THOMAS Curator · Writer · Visual Artist This week, I kept thinking about “training”: the way we’re formed by buildings, images, and the stories power tells us to repeat. From Shanghai’s Youth Palace nostalgia to Sydney’s waterfront monumentality, I felt that familiar pressure: culture
Contemporary Art — Southeast Asia Vernissage THOMAS Curator · Writer · Visual Artist This week I kept thinking about crossings: between coasts, between centuries, between what we call “document” and what we feel as truth. From Southeast Asia, the sea is never just scenery—it’s a force that remembers, punishes, carries, and
Contemporary Art — Southeast Asia Vernissage THOMAS Curator · Writer · Visual Artist This week I felt the pull of two forces at once: the sacred that stabilizes us, and the image-machine that distorts us. From Seoul to Hong Kong to Venice (by way of the archive), art kept asking the same question: